Joe Rhinewine blends blues and prog rock for new EP ‘Songs from NowHere’

Never has the title of this very blog been more fitting than with song writer Jo Rhinewine, because his roots infused new track is certainly a little less ordinary than the norm. Rambling and free form, the lyrics were reportedly improvised once the blues feel had been established, leading to some unusual but undoubtedly ear-catching results.

It’s an approach typical of Rhinewine, whose approach is a long way from the usual genre boundaries you might expect. His new EP ‘Songs from NowHere’ is available now on Amazon, and given an even greater insight into the wide creative streak from which he draws his ideas. With a total of five tracks to enjoy, it’s worth an investment just to investigate this intriguing new artist.

Kelly Moneymaker – ‘Stone’ album out now

Some of the finest offshoots of roots music – gospel, country, rock and roll, and particularly soul – stand front and center of this great new album from vocalist Kelly Moneymaker.

Out now, ‘Stone’ finds Moneymaker on really fine form, growling out her powerful vocal over a range of genres, all given a consistency by the clean production and that unique voice.

On top of those solid foundations, Moneymaker sparkles throughout – 13 tracks of varying styles, all adding up to a very solid and consistent release.

Baron Goodlove, ‘Orpheus’ – debut single/free download

Delightfully dark but with a rootsy charm, the lyric video above is a fantastic introduction to a new UK songwriter by the name of Baron Goodlove. With the help of his band The Dreadful Noise, this debut single is a forboding joy, if that’s not to much of a contradiction in terms.

‘Orpheus’ is not only a debut single and free download, it is also the first look we get at an upcoming EP from the young song writer, whose influences include a promising who’s who of songwriting legends.

And, with several gigs supporting the unerringly popular George Ezra already on his CV, Baron Goodlove and the Dreadful Noise will surely be building a devoted following of their own.

Jerry Lawson – ‘Just a Mortal Man’ album out now – debut solo album, AGE 71!

Out now through Red Beet Records, ‘Just a Mortal Man’ is a very special album for two reasons. Not only is it a great listen, but it’s the very first solo album ever released by 71 year old Jerry Lawson. Lawson, who has worked at the top of showbusiness for over 40 years, has always been part of hit making groups, but never stepped out on his own. Until now.

The result is this 13 track collection of laid back, low octane but high quality set of tracks with a real rootsy feel.  Charming throughout, Lawson’s smooth baritone moves like warm treacle over the classy backing, taking in folk, gospel, country, pop, soul, funk and so much more. It’s a fitting first album from a man who has clearly still got enough talent to flaunt it, but does it here in humble, low-key fashion.

The only taste you can find online at the moment seems to be the video below, a nice little rock’n’roll number. But trust me when I say there’s plenty more where that came from.

‘It Is What It Is’ – the new album from Songs for Mr Sloane

Out now, the new album from Songs For Mr Sloane is called ‘It Is What It Is’ and it’s a real songwriter’s LP. Not strictly folk or roots, though there are plenty of elements in the lyrics and storytelling, this is instead an album of mixed genres, something of an exercise in eclecticism.

The creation of a group of musicians from different background, you get the feeling that this is music as the band want it to sound. A host of ideas tossed in the juicer to see what comes out, it makes for an intriguing listen – compelling at times, less so at others.

By its very nature the songs ebb and flow as the genres and style change, and it’s hard to imagine one single listener likeing the whole thing. Some of the songs are so different, tied together only by the gruff, no nonsense vocal, that any perceived strengths and weaknesses will be entirely subjective. It will depend on the taste of the listener which bits they think are strongest.

One thing’s for sure though – all the musicianship, production and structural integrity of the songs is on point, and you can’t disagree with those qualities, even if one or two individual styles leave you cold.